Tuesday, 27 September 2011

The London Reading List No 17: Soho in the Fifties

Tuesday is great London books day on The Daily Constitutional. Give us your own recommendations at the usual email address




Soho in the Fifties
By Daniel Farson


A work that rattles along with all the √©lan of a great novel, Daniel Farson’s Soho in The Fifties is an account of London’s most forgiving and tolerant quarter. It is told by that most unique of all Soho-ites: a man who was both there and who can remember he was there.

“Soho,” writes Farson, the great-nephew of Bram Stoker, “has always been a state of mind rather than a boundary.” And the minds that populate his narrative (the main section of which is structured as a 24-hours-in-the-life-of-Soho documentary) are some of the sharpest of the mid-20th Century. Artist Francis Bacon and journalist Jeffrey Barnard swagger through the narrative, rubbing shoulders with a picaresque gallery of characters who, while less celebrated on the international stage, remain Soho legends. Characters such as Norman Balon of the Coach and Horses (the man styled by Barnard as the Rudest Landlord in London) and Muriel Belcher, the √©minence grise of Dean Street and proprietress of the legendary watering hole The Colony Room.

Farson’s narrative even takes us a little further north of the 21st Century Soho, over Oxford Street to the area to which he refers to as North Soho (Fitzrovia today) to reveal licentious goings-on at the Fitzroy Tavern and in search of the painters Robert Colquhoun and Robert MacBryde as they evade eye-watering bar bills all over W1. It’s a revealing insight: Soho has changed in shape as well as tone.

The great surviving characters of Soho are the pubs that serve as backdrop to the tale: The French House and the Coach and Horses remain in rude health in the 21st Century. “It’s ironic,” writes Farson of those Soho hostelries, "that Karl Marx and Logie Baird both lived in Soho, for politics and last night’s television are rarely discussed in Soho, though they are the mainstay in [most other] British pubs.”

Farson’s only oversight is the importance of music to this part of town. A forgivable omission given that the author moved in a world of letters and media; and one that is rectified with a peerless introduction by the late, great English jazz musician and writer George Melly. A rare treat: two great writers for the price of one.

(The edition illustrated is the Pimlico paperback from 1993)


POST UPDATED 3/3/16

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