Throughout March & April 2015 we'll be compiling our definitive London Reading List.
We've asked London Walks Guides & London Walkers to recommend a favourite book or story, and we've also raided the archives here at The Daily Constitutional to bring a rich and varied selection of London-themed and London-set reading matter.
Whether you live here in London, work here, play here or if you are in the throws of planning a trip to visit us here, these are the books you need to read. As usual, you can give us a shout with your own recommendations – thrillers, literary classics, biographies, anthologies, anything! – at the usual email address, via Twitter or Facebook, or simply leave a comment below.
No.21. Ready, Steady, Go! Swinging London And The Invention Of Cool
By Shawn Levy
The Sixties: Groovy Baby! Well… yes and no. But one thing’s for sure. As a decade, the Sixties are like a well-tailored suit: they just never go out of fashion. Every generation revisits the 60s. But not every writer takes as much care to get to debunk a few myths along the way as Shawn Levy.
Levy, writer of the excellent Rat Pack Confidential (the biography of Sinatra, Dino, Sammy, et al) brings his critical pen to bear on the decade that can claim to be both the most loved and the most loathed ten-year period of the 20th Century. In terms of cool, the 50s, he states, belonged to Rome. The 70s would belong to New York. But only London could lay claim to being capital of the world in the 60s.
After the initial flurry of pop creativity that washed down from the north in the wake of The Beatles, London bands (The Stones, Who, Small Faces, Yardbirds, et al) took over again, pulling focus back to the south. Ditto with actors (Tom Courtenay and Albert Finney were elbowed aside in the cool stakes by the more conventional movie star charms of Londoners Terence Stamp and Michael Caine). And then the deluge of designers, painters, models and photographers. London was the capital of the modern culture world.
David Bailey (who, it has to be said, was cool before ‘em all, even the Moptops) is joined by Mick Jagger, Mary Quant, Brian Epstein (the lone northerner), Vidal Sassoon, art dealer Robert Fraser and Terence Stamp as the main protagonists of the era in Levy’s book.
His narrative radiates out from these central figures and paints the perfect portrait of what was either the most egalitarian, liberal and enlightened period in recent history, or the biggest Mad Hatter’s tea party of all time, depending on where you stand politically.
Levy obviously loved it, but never falls on hippie dippy poesy to tell you why. His narrative is measured, tight, but always enthusiastic when called for. Turn on, tune in and drop out of your tube journey for an incisive and balanced read about the 60s in a books that is mercifully free of the usual hype.
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